Towards the end of the year, many options that we may stretch. Want to go overseas. Want to go to the festival. Play in the snow outside the house. Or go with family or friends. Many options can take.
For all of you who want to materialize it, you can visit the McKinney Dickens in
No less interesting
This festival has made an alternative for the end of the year you visit, and McKinney Dickens will regale you with the arrival of all glamour.
Showing posts with label Ceremony. Show all posts
Showing posts with label Ceremony. Show all posts
Friday, October 24, 2008
End of Year Festival with Snow Tubing Hill
Monday, July 21, 2008
Ceremonies In East Kalimantan
There are many ceremonies in East Kalimantan.
Kwangkai
Kwangkai is the death ceremony of the Tunjung and Benuaq, Dayaks of East Kalimantan . It usually lasts for ten days and ten nights and is designed to fulfill the dual purpose of leading the soul of the dead to the hereafter, and welcoming the new spirits which are arriving through the newborn.
The first part of the ceremony is called Setanggih, which reflects the Dayak cult of ancestor worship. The follows the Ngerangkai, in which a dance is performed by group of women.
Next come the Pekanan Saru, in which offering are made to the spirits. This involves the performance of ritual dances by the Belian Bawo (shaman). Also the Gantar Adat Dance is performed. The most important part of the ceremony involves the killing of buffaloes and other animals.
The Kwangkai ceremony is held either by individual families or collectively. It is usually held shortly after the harvest season. Before the ceremony takes place , the corpse is placed in the Lungun, a round wooden coffin, where , it is kept for many months so that the bones become dry.
In Families which cannot afford to keep the remains in the house for so long, (it must be given food every day), they are preserved for a few days only. Then the corpse is buried in the usual way, to be dug up and moved as soon as the means needed to hold a Kwangkai are available.
Ngungu Tahun
Ngungu Tahun is an annual post-harvest offering ceremony. It is held as a kind of thanksgiving ritual after a prosperous year.
The ceremony starts with the worship of the ancestors, followed by a series of rituals.
Erau Paray
Erau Paray is a ceremonial feast of the Kenyah and Punan Dayaks. It starts with the worship of the ancestors and the offering of thanks.
Bob Jenggeu is ceremony of the Medang tribe in the Muara Ancalong and Muara Wahau district, Kutai regency , which is accompanied by other rituals such as Uding, Dang Tung, Ne Legur , Ne Lei, Ne Blok and Nam Bleu. It is also accompanied by traditional sport events, as well as dances such as the Jong Nyelong, Ngeway and Ding Suk.
Erau Hudeg or Hudeg Feast is ceremony of the Bahau, in Long Iram and Long Bangun, Kutai regency This feast is held after the harvest season as an expression of gratitude. It lasts for several days and is accompanied by traditional dances and sporting contest.
Dangai is ceremony held by the Bussang and Penihing Umak Suling Dayaks in the hinterland along the Mahakam river, in the Long Pahangai and Long Apari districts, and in the hinterland of the Kutai regency. It is also held by the Kayan Dayaks in the hinterland regions of Bulungan regency. Dangai is held after the harvest season, and usually lasts for ten days and ten nights. It starts with the worship of the ancestors, with food offerings for the gods and the spirits of the ancestors. Dancing girls circle the offerings, dancing and singing in worship of the ancestors. The Tepung Mawar ceremony is held at the same time for girls entering adulthood , so that they will get good, honest and responsible husbands. Newly born babies are givens names. The highlight of the Dangai ceremony is a fight a kind of wrestling contest - between men, which takes place on rotten rice spread on banana's leaves . While the match goes on , women dance and sing in a circle around the arena, stamping their feet all the while.
Palas Tahun is a thanksgiving ceremony of the Malayu Kutai Tribe , in Muara Bengkal , Kutai Regency. It lasts for three days and three nights, and is accompanied by traditional dances and sporting events.
Pangkon is ceremony originating from the Kutai Sultanate. It is held apart from the tribal Erau feast to honor the quest. There are various other rituals and ceremonies, designed to mark important events too numerous to mention one by one.
Kwangkai
Kwangkai is the death ceremony of the Tunjung and Benuaq, Dayaks of East Kalimantan . It usually lasts for ten days and ten nights and is designed to fulfill the dual purpose of leading the soul of the dead to the hereafter, and welcoming the new spirits which are arriving through the newborn.
The first part of the ceremony is called Setanggih, which reflects the Dayak cult of ancestor worship. The follows the Ngerangkai, in which a dance is performed by group of women.
Next come the Pekanan Saru, in which offering are made to the spirits. This involves the performance of ritual dances by the Belian Bawo (shaman). Also the Gantar Adat Dance is performed. The most important part of the ceremony involves the killing of buffaloes and other animals.
The Kwangkai ceremony is held either by individual families or collectively. It is usually held shortly after the harvest season. Before the ceremony takes place , the corpse is placed in the Lungun, a round wooden coffin, where , it is kept for many months so that the bones become dry.
In Families which cannot afford to keep the remains in the house for so long, (it must be given food every day), they are preserved for a few days only. Then the corpse is buried in the usual way, to be dug up and moved as soon as the means needed to hold a Kwangkai are available.
Ngungu Tahun
Ngungu Tahun is an annual post-harvest offering ceremony. It is held as a kind of thanksgiving ritual after a prosperous year.
The ceremony starts with the worship of the ancestors, followed by a series of rituals.
Erau Paray
Erau Paray is a ceremonial feast of the Kenyah and Punan Dayaks. It starts with the worship of the ancestors and the offering of thanks.
Bob Jenggeu is ceremony of the Medang tribe in the Muara Ancalong and Muara Wahau district, Kutai regency , which is accompanied by other rituals such as Uding, Dang Tung, Ne Legur , Ne Lei, Ne Blok and Nam Bleu. It is also accompanied by traditional sport events, as well as dances such as the Jong Nyelong, Ngeway and Ding Suk.
Erau Hudeg or Hudeg Feast is ceremony of the Bahau, in Long Iram and Long Bangun, Kutai regency This feast is held after the harvest season as an expression of gratitude. It lasts for several days and is accompanied by traditional dances and sporting contest.
Dangai is ceremony held by the Bussang and Penihing Umak Suling Dayaks in the hinterland along the Mahakam river, in the Long Pahangai and Long Apari districts, and in the hinterland of the Kutai regency. It is also held by the Kayan Dayaks in the hinterland regions of Bulungan regency. Dangai is held after the harvest season, and usually lasts for ten days and ten nights. It starts with the worship of the ancestors, with food offerings for the gods and the spirits of the ancestors. Dancing girls circle the offerings, dancing and singing in worship of the ancestors. The Tepung Mawar ceremony is held at the same time for girls entering adulthood , so that they will get good, honest and responsible husbands. Newly born babies are givens names. The highlight of the Dangai ceremony is a fight a kind of wrestling contest - between men, which takes place on rotten rice spread on banana's leaves . While the match goes on , women dance and sing in a circle around the arena, stamping their feet all the while.
Palas Tahun is a thanksgiving ceremony of the Malayu Kutai Tribe , in Muara Bengkal , Kutai Regency. It lasts for three days and three nights, and is accompanied by traditional dances and sporting events.
Pangkon is ceremony originating from the Kutai Sultanate. It is held apart from the tribal Erau feast to honor the quest. There are various other rituals and ceremonies, designed to mark important events too numerous to mention one by one.
Friday, August 31, 2007
Pampang 4: Culture Tourism and the Indigenous Struggle for Development
Guidebooks to East Kalimantan encourage tourists to visit Dayak villages, but most villages are farther inland. Many tourists make their way to the Benuaq Dayak village of Tanjung Isuy, where they can also see dances performed and stay in simple lodgings. But a trip to Tanjung Isuy usually requires at least an overnight stay. Pampang's strategic location vis-a-vis Samarinda is thus a critical element of its attractiveness as a tourism venue. In Samarinda there is already a range of hotels-including upscale ones with telephones, hot water, and western-style baths-available to accommodate tourists who seek that level of comfort. Private cars can be easily hired to take visitors to Pampang and back in an afternoon.
In the present era of Indonesian identity politics, Dayaks, like many other minority
groups, have realized that much may be gained by working together to solve shared problems and by fostering a common Dayak identity. However, developing a common identity is no easy challenge for members of various subgroups. To facilitate their struggle, some Dayaks have established nongovernmental organizations that crosscut subgroup loyalties. One example is the East Kalimantan Dayak Association (Persekutuan Dayak Kalimantan Timur), the province's largest indigenous interest group. That association was founded in 1993 in response to a perceived need for an organization that could foster a broad sense of oneness among Dayaks. Nevertheless allegiances to subgroups remain strong, and a growing number of organizations now raise funds and propose development projects on behalf of particular subgroups. As many consider tourism a phenomenon of great economic promise, different subgroups are working to ensure that "their" people and traditions find representation in the industry. Incipient competition between groups has already led to informal debates over who has the most "interesting" dances, who has "lost" their culture, and, in some cases, to the redesign of "traditional dress" in ways to make it more spectacular than that of other subgroups. During an open-mike session that followed the swearing in of a group of new subdistrict heads that I attended in the district seat of Melak in 1999, one Dayak man seized the opportunity to ask the governor to finance the construction of a longhouse, "like the one they have in Pampang," to attract tourists to his region.
In Pampang, the traditional law chief remarked to me proudly that he envisioned his village as a place where all Dayak traditions would someday be represented and pointed out that performers had already begun to incorporate non-- Kenyah dances in the culture show. Yet other Dayaks are now floating proposals for establishing their own culture villages which, if they come into being, will be located even closer to Samarinda than Pampang and able to compete with the Kenyah for the tourist market. The irony, of course, is that all of these new "culture villages," Pampang included, will be located far from the Dayaks' home communities upriver.
Writing of the development of tourism elsewhere in Indonesia, Kathleen Adams (1997:174) has noted that an unanticipated consequence of tourism promotion has been intensified interethnic competition, rivalry, and suspicion among some South Sulawesi groups. She argues for the importance of attending to regional political boundaries in researching Indonesian tourism. Given the recent bloodshed between Dayaks and migrants to Kalimantan in the west and central provinces, her point is well-taken. In this regard, too, I mentioned earlier that non-Dayak people living close to Pampang have established carving shops on the road into the village. On one occasion, I spotted a member of another ethnic group attempting to sell Kenyah-style beadwork to tourists at Pampang's longhouse. Although tolerated at present, these kinds of entrepreneurial activities may ultimately sour relations between Dayaks and migrants in the environs of Pampang. Further, in addition to the consequences of tourism for interethnic relations, I would suggest that it is important for scholars to examine how tourism development might lead to intragroup rivalries that ultimately influence whether and how ethnic identities, such as a pan-Dayak one, can develop and be sustained in turbulent times.
Conclusions
The establishment of Pampang Culture Village offers some indigenous peoples new opportunities to participate in a development scheme that may, with careful planning, garner benefits for themselves and for their community. However, fostering tourism in areas associated with traditional societies involves confronting a host of structural and cultural challenges (Brown 1999). As one official has already noted, "care is needed in cultivating Dayak cultural arts as a tourist object, because, on the one hand, the Dayak tribe has to progress, and, on the other, Dayak traditional culture is a tourist draw. In developing tourism in East Kalimantan, especially as it relates to Dayak culture, both of these concerns must be equally addressed" (Kaltim Post 1994c:8).
A similar concern was voiced nearly a decade ago, when Kalimantan's Parade of Roses contingent returned home from California. One of the delegation leaders was queried about whether the experience had exploited Dayaks and was merely another example of "letting them remain 'primitive' only because of the desire for authentic culture." The delegation leader, herself an indigenous activist, replied: "What I have seen happen to the Dayak Tribe is an inclination to exhibit their physical characteristics-the long ears and the tattoos-- without raising their [human resources] quality. Like teaching them how to dance, how to carve, and other skills. [What is needed] is the development of human resources, not the exploitation of their bodies" (Kaltim Post 1994b:8). She called the interviewer's attention to Pampang specifically, asking "Is what the government means by human resources development only to take them to Java or outside the country or to invite tourists to look at their dances?" Many indigenous observers would ask the same question today. Whatever the answer, it is clear that residents of Pampang will continue to insist that the management of their foray into tourism remains in indigenous hands, preventing non-Dayak local elites from capitalizing on Kenyah "otherness" (van der Berghe 1995). Too, they will work to ensure that their culture show, which they consider a means for artistic expression, maintenance of tradition, and economic advancement, never degenerates into mere show culture.
References Cited
Adams, Kathleen
1997 Touting Touristic "Primadonas": Tourism, Ethnicity, and National Integration in Sulawesi, Indonesia. In Tourism, Ethnicity, and the State in Asian and Pacific Societies. Michel Picard and Robert Wood, eds., Pp. 155-180. Honolulu: University of Hawaii Press.
Boon, James
1977 The Anthropological Romance of Bali. Cambridge: Cambridge University Press.
1990 Affinities and Extremes. Chicago: University of Chicago Press.
Brown, Denise
1999 Mayas and Tourists in the Maya World. Human Organization 58;295-304.
Catchpole, Karen
1999 Welcome to the Jungle. Escape: The Global Guide for the Adventurous Traveler, April:43-49, 50.
Conley, William
1976 The Kalimantan Kenyah: A Study of Tribal Conversion in Terms of Dynamic Cultural Themes. Nutley, N.J.: Presbyterian and Reformed Publishing Company.
Dyson, Larentius
1992 Pampang: Profil Desa Tradisional Dayak dengan Penghuni Aneka Sub Etnik. Kaltim Post, February 18:4.
Freund, Ken
1996 A 20-day, 1,200 Mile Endurance Test Through the Jungles of Borneo. Four Wheeler, December:26-28.
Husain, Waris
1993a Desa Budaya Pampang Sebagai Obyek Pariwisata (Bagian I). Suara Kaltim, September 27:8.
1993b Desa Budaya Pampang Sebagai Obyek Pariwisata (Bagian II). Suara Kaltim, September 28:8.
Kaltim Post
1994a Bangga Menjadi Orang Dayak. Kaltim Post, January 11:8.
1994b Saya Tidak Setuju, Masyarakat Dayak Dijadikan Museum Hidup. Kaltim Post, January 29:7.
1994c Desa Budaya Dayak "Pampang" Terlantar. October 28:4.
1994d Perlu Kehati-hatian Garap Budaya Dayak. Kaltim Post, August 4:8.
1996a Diakui, Pampang Belum Mengigit. Kaltim Post, July 15:13.
1996b Produk Kerajinan Pampang Prospektif Dikembangkan Kaltim Post, December 17:5.
2000 Tempat Wisata di Samarinda Berantakan. Kaltim Post, Mard 6:3.
Laden, Rina
1992 Apa Yang Dapat Dijumpai di Desa Pampang. Kaltim Post, March 17:6.
Masperger, Mark
1995 Tourism and Cultural Change in Small-Scale Societies. Human Organization 54:87-94.
Pemberton, John
1994 On the Subject of Java, Ithaca, N.Y.: Cornell University Press.
Picard, Michel
1997 Cultural Tourism, Nation-Building, and Regional Culture: The Making of a Balinese Identity. In Tourism, Ethnicity, and the State in Asian and Pacific Societies. Michel Picard and Robert Wood, eds., Pp. 181-214. Honolulu: University of Hawaii Press.
Picard, Michel, and Robert Wood, eds.
1997 Tourism, Ethnicity, and the State in Asian and Pacific Societies. Honolulu: University of Hawaii Press.
Schiller, Anne
1997 Small Sacrifices: Religious Change and Cultural Identity Among the Ngaju of Indonesia. New York: Oxford University Press.
2001 Talking Heads: Capturing Dayak Deathways on Film. American Ethnologist 28:32-55.
2002 How to Hold a "Tiwah": The Potency of the Dead and Deathways Among Ngaju Dayaks. In The Potent Dead: Ancestors, Saints, and Heroes in Contemporary Indonesia. Anthony Reid and Henri Chambert-Loir, eds. Sydney: Allen and Unwin for Asian Studies Association of Australia.
Schrauwers, Alfred
1998 Returning to the "Origin": Church and State in the Ethnogenesis of the "To Pamona." In Southeast Asian Identities: Culture and the Politics of Representation in Indonesia, Malaysia, Singapore, and Thailand. Joel Kahn, ed. Pp. 203-226. Singapore: Institute of Southeast Asian Studies.
Suara Kaltim
1992 Palas Tahun Pampang Tertunda. Suara Kaltim, September 29:7.
Suara Pembaruan 1993 Perjalanan Panjang Masyarakat Pampang. Suara Pembaruan, September 24:1,16.
van der Berghe, Pierre
1995 Marketing Mayas: Ethnic Tourism Promotion in Mexico. Annals of Tourism Research 22:568-588.
Vickers, Adrian
1989 Bali: A Paradise Created. Berkeley, Calif.: Periplus Editions.
*)Anne Schiller is associate professor of anthropology at North Carolina State University. My research in East Kalimantan was supported by a Fulbright-Hays Faculty Research Abroad Award. I would like to thank the people of Pampang for their kind assistance throughout the research period, in particular Dra. Djalung Ule, and Drs. Rina Laden for access to her newspaper archives. My previous field studies on related topics among Dayak peoples were funded with grants from the National Geographic Society (1996), the Wenner-Gren Foundation (1982, 1991), the Association for Asian Studies (1994, 1991), the Sigma-Xi Scientific Society (1982), North Carolina State University (1995), and a Fulbright-- Hays Doctoral Research Abroad Award (1982-83). All translations from Indonesian language texts are my own. I am grateful to Sarah Banks for suggestions concerning comparative sources during the preparation of this manuscript.
Source: Pampang culture village and international tourism in East Kalimantan, Indonesian Borneo' Human Organization, Winter 2001 by Schiller, Anne
In the present era of Indonesian identity politics, Dayaks, like many other minority
groups, have realized that much may be gained by working together to solve shared problems and by fostering a common Dayak identity. However, developing a common identity is no easy challenge for members of various subgroups. To facilitate their struggle, some Dayaks have established nongovernmental organizations that crosscut subgroup loyalties. One example is the East Kalimantan Dayak Association (Persekutuan Dayak Kalimantan Timur), the province's largest indigenous interest group. That association was founded in 1993 in response to a perceived need for an organization that could foster a broad sense of oneness among Dayaks. Nevertheless allegiances to subgroups remain strong, and a growing number of organizations now raise funds and propose development projects on behalf of particular subgroups. As many consider tourism a phenomenon of great economic promise, different subgroups are working to ensure that "their" people and traditions find representation in the industry. Incipient competition between groups has already led to informal debates over who has the most "interesting" dances, who has "lost" their culture, and, in some cases, to the redesign of "traditional dress" in ways to make it more spectacular than that of other subgroups. During an open-mike session that followed the swearing in of a group of new subdistrict heads that I attended in the district seat of Melak in 1999, one Dayak man seized the opportunity to ask the governor to finance the construction of a longhouse, "like the one they have in Pampang," to attract tourists to his region.
In Pampang, the traditional law chief remarked to me proudly that he envisioned his village as a place where all Dayak traditions would someday be represented and pointed out that performers had already begun to incorporate non-- Kenyah dances in the culture show. Yet other Dayaks are now floating proposals for establishing their own culture villages which, if they come into being, will be located even closer to Samarinda than Pampang and able to compete with the Kenyah for the tourist market. The irony, of course, is that all of these new "culture villages," Pampang included, will be located far from the Dayaks' home communities upriver.
Writing of the development of tourism elsewhere in Indonesia, Kathleen Adams (1997:174) has noted that an unanticipated consequence of tourism promotion has been intensified interethnic competition, rivalry, and suspicion among some South Sulawesi groups. She argues for the importance of attending to regional political boundaries in researching Indonesian tourism. Given the recent bloodshed between Dayaks and migrants to Kalimantan in the west and central provinces, her point is well-taken. In this regard, too, I mentioned earlier that non-Dayak people living close to Pampang have established carving shops on the road into the village. On one occasion, I spotted a member of another ethnic group attempting to sell Kenyah-style beadwork to tourists at Pampang's longhouse. Although tolerated at present, these kinds of entrepreneurial activities may ultimately sour relations between Dayaks and migrants in the environs of Pampang. Further, in addition to the consequences of tourism for interethnic relations, I would suggest that it is important for scholars to examine how tourism development might lead to intragroup rivalries that ultimately influence whether and how ethnic identities, such as a pan-Dayak one, can develop and be sustained in turbulent times.
Conclusions
The establishment of Pampang Culture Village offers some indigenous peoples new opportunities to participate in a development scheme that may, with careful planning, garner benefits for themselves and for their community. However, fostering tourism in areas associated with traditional societies involves confronting a host of structural and cultural challenges (Brown 1999). As one official has already noted, "care is needed in cultivating Dayak cultural arts as a tourist object, because, on the one hand, the Dayak tribe has to progress, and, on the other, Dayak traditional culture is a tourist draw. In developing tourism in East Kalimantan, especially as it relates to Dayak culture, both of these concerns must be equally addressed" (Kaltim Post 1994c:8).
A similar concern was voiced nearly a decade ago, when Kalimantan's Parade of Roses contingent returned home from California. One of the delegation leaders was queried about whether the experience had exploited Dayaks and was merely another example of "letting them remain 'primitive' only because of the desire for authentic culture." The delegation leader, herself an indigenous activist, replied: "What I have seen happen to the Dayak Tribe is an inclination to exhibit their physical characteristics-the long ears and the tattoos-- without raising their [human resources] quality. Like teaching them how to dance, how to carve, and other skills. [What is needed] is the development of human resources, not the exploitation of their bodies" (Kaltim Post 1994b:8). She called the interviewer's attention to Pampang specifically, asking "Is what the government means by human resources development only to take them to Java or outside the country or to invite tourists to look at their dances?" Many indigenous observers would ask the same question today. Whatever the answer, it is clear that residents of Pampang will continue to insist that the management of their foray into tourism remains in indigenous hands, preventing non-Dayak local elites from capitalizing on Kenyah "otherness" (van der Berghe 1995). Too, they will work to ensure that their culture show, which they consider a means for artistic expression, maintenance of tradition, and economic advancement, never degenerates into mere show culture.
References Cited
Adams, Kathleen
1997 Touting Touristic "Primadonas": Tourism, Ethnicity, and National Integration in Sulawesi, Indonesia. In Tourism, Ethnicity, and the State in Asian and Pacific Societies. Michel Picard and Robert Wood, eds., Pp. 155-180. Honolulu: University of Hawaii Press.
Boon, James
1977 The Anthropological Romance of Bali. Cambridge: Cambridge University Press.
1990 Affinities and Extremes. Chicago: University of Chicago Press.
Brown, Denise
1999 Mayas and Tourists in the Maya World. Human Organization 58;295-304.
Catchpole, Karen
1999 Welcome to the Jungle. Escape: The Global Guide for the Adventurous Traveler, April:43-49, 50.
Conley, William
1976 The Kalimantan Kenyah: A Study of Tribal Conversion in Terms of Dynamic Cultural Themes. Nutley, N.J.: Presbyterian and Reformed Publishing Company.
Dyson, Larentius
1992 Pampang: Profil Desa Tradisional Dayak dengan Penghuni Aneka Sub Etnik. Kaltim Post, February 18:4.
Freund, Ken
1996 A 20-day, 1,200 Mile Endurance Test Through the Jungles of Borneo. Four Wheeler, December:26-28.
Husain, Waris
1993a Desa Budaya Pampang Sebagai Obyek Pariwisata (Bagian I). Suara Kaltim, September 27:8.
1993b Desa Budaya Pampang Sebagai Obyek Pariwisata (Bagian II). Suara Kaltim, September 28:8.
Kaltim Post
1994a Bangga Menjadi Orang Dayak. Kaltim Post, January 11:8.
1994b Saya Tidak Setuju, Masyarakat Dayak Dijadikan Museum Hidup. Kaltim Post, January 29:7.
1994c Desa Budaya Dayak "Pampang" Terlantar. October 28:4.
1994d Perlu Kehati-hatian Garap Budaya Dayak. Kaltim Post, August 4:8.
1996a Diakui, Pampang Belum Mengigit. Kaltim Post, July 15:13.
1996b Produk Kerajinan Pampang Prospektif Dikembangkan Kaltim Post, December 17:5.
2000 Tempat Wisata di Samarinda Berantakan. Kaltim Post, Mard 6:3.
Laden, Rina
1992 Apa Yang Dapat Dijumpai di Desa Pampang. Kaltim Post, March 17:6.
Masperger, Mark
1995 Tourism and Cultural Change in Small-Scale Societies. Human Organization 54:87-94.
Pemberton, John
1994 On the Subject of Java, Ithaca, N.Y.: Cornell University Press.
Picard, Michel
1997 Cultural Tourism, Nation-Building, and Regional Culture: The Making of a Balinese Identity. In Tourism, Ethnicity, and the State in Asian and Pacific Societies. Michel Picard and Robert Wood, eds., Pp. 181-214. Honolulu: University of Hawaii Press.
Picard, Michel, and Robert Wood, eds.
1997 Tourism, Ethnicity, and the State in Asian and Pacific Societies. Honolulu: University of Hawaii Press.
Schiller, Anne
1997 Small Sacrifices: Religious Change and Cultural Identity Among the Ngaju of Indonesia. New York: Oxford University Press.
2001 Talking Heads: Capturing Dayak Deathways on Film. American Ethnologist 28:32-55.
2002 How to Hold a "Tiwah": The Potency of the Dead and Deathways Among Ngaju Dayaks. In The Potent Dead: Ancestors, Saints, and Heroes in Contemporary Indonesia. Anthony Reid and Henri Chambert-Loir, eds. Sydney: Allen and Unwin for Asian Studies Association of Australia.
Schrauwers, Alfred
1998 Returning to the "Origin": Church and State in the Ethnogenesis of the "To Pamona." In Southeast Asian Identities: Culture and the Politics of Representation in Indonesia, Malaysia, Singapore, and Thailand. Joel Kahn, ed. Pp. 203-226. Singapore: Institute of Southeast Asian Studies.
Suara Kaltim
1992 Palas Tahun Pampang Tertunda. Suara Kaltim, September 29:7.
Suara Pembaruan 1993 Perjalanan Panjang Masyarakat Pampang. Suara Pembaruan, September 24:1,16.
van der Berghe, Pierre
1995 Marketing Mayas: Ethnic Tourism Promotion in Mexico. Annals of Tourism Research 22:568-588.
Vickers, Adrian
1989 Bali: A Paradise Created. Berkeley, Calif.: Periplus Editions.
*)Anne Schiller is associate professor of anthropology at North Carolina State University. My research in East Kalimantan was supported by a Fulbright-Hays Faculty Research Abroad Award. I would like to thank the people of Pampang for their kind assistance throughout the research period, in particular Dra. Djalung Ule, and Drs. Rina Laden for access to her newspaper archives. My previous field studies on related topics among Dayak peoples were funded with grants from the National Geographic Society (1996), the Wenner-Gren Foundation (1982, 1991), the Association for Asian Studies (1994, 1991), the Sigma-Xi Scientific Society (1982), North Carolina State University (1995), and a Fulbright-- Hays Doctoral Research Abroad Award (1982-83). All translations from Indonesian language texts are my own. I am grateful to Sarah Banks for suggestions concerning comparative sources during the preparation of this manuscript.
Source: Pampang culture village and international tourism in East Kalimantan, Indonesian Borneo' Human Organization, Winter 2001 by Schiller, Anne
Tuesday, August 7, 2007
Dance Arts & Traditional Ceremonies
Coastal Culture Traditional Ceremonies
Animism (a belief towards the anchestor's spirits) is also found in the coastal area. The belief believed by the Bajau tribe (coastal) comes from the social life organization, which is called Melabuh traditional ceremony. Although this traditional ceremony in the coastal areas has different names and activities, the meaning is just the same; that is as a prayer for God to say thank and also to ask for a better live. Since this ceremony is based on the source of living and life itself, therefore the ceremony consists of the offerings (sesajian) offered for God. The peak of this ceremony is usually done by throwing away the offering to the sea.
Coastal Culture
• Jepen dance
• Tenun sarung dance
• Anyam tikar dance
• Mamanda
• Rebana
• Berjanji
• Delail
• Diba
• Gurdah
• Rudat
• Qasidah
• Hadrah
• Selawatan
• Maulud Habsyi
• Bedalling Dance (Derawan Island)
• Sakayan-sakayan (Derawan Island)
• Ronggeng dance (Pasir)
Kingdom/Kraton Culture
• Topeng Dance
• Kanjar Ganjur Dance
• Joget Demaring Dance
• Bangun Dance
Inner Culture
• Perang Dance (Kancet Pepatai)
• Wanita Dance (Kancet Ledo) / Gong Dance
• Datun Julut Dance
• Leleng Dance
• Pegayang Dance (Kerja Dance)
• Pecuk-pecuk Kina Dance
• Pilin Tali Dance
• Karang Sapek (Sampek Dance)
• Hudoq Dance
• Ding Dance (Burung Punguk Dance), Jong Nyelong Dance, and Nguwai Dance
• Gantar Dance
• Giring-giring Dance
• Ngerangkau Dance
• Belian Dance
• Enggang Bird Dance
• Perang Bersama Dance
• Uding Dance
• Pergaulan Dance
• Lemau Dance
• Kacet Tengen (Tunggal Dance)
• Kancet Lesung Untat (Menumbuk Beras)
• Bekukui Dance
• Bekukui Dance
• Kancet Tua (Bersama Dance)
Animism (a belief towards the anchestor's spirits) is also found in the coastal area. The belief believed by the Bajau tribe (coastal) comes from the social life organization, which is called Melabuh traditional ceremony. Although this traditional ceremony in the coastal areas has different names and activities, the meaning is just the same; that is as a prayer for God to say thank and also to ask for a better live. Since this ceremony is based on the source of living and life itself, therefore the ceremony consists of the offerings (sesajian) offered for God. The peak of this ceremony is usually done by throwing away the offering to the sea.
Coastal Culture
• Jepen dance
• Tenun sarung dance
• Anyam tikar dance
• Mamanda
• Rebana
• Berjanji
• Delail
• Diba
• Gurdah
• Rudat
• Qasidah
• Hadrah
• Selawatan
• Maulud Habsyi
• Bedalling Dance (Derawan Island)
• Sakayan-sakayan (Derawan Island)
• Ronggeng dance (Pasir)
Kingdom/Kraton Culture
• Topeng Dance
• Kanjar Ganjur Dance
• Joget Demaring Dance
• Bangun Dance
Inner Culture
• Perang Dance (Kancet Pepatai)
• Wanita Dance (Kancet Ledo) / Gong Dance
• Datun Julut Dance
• Leleng Dance
• Pegayang Dance (Kerja Dance)
• Pecuk-pecuk Kina Dance
• Pilin Tali Dance
• Karang Sapek (Sampek Dance)
• Hudoq Dance
• Ding Dance (Burung Punguk Dance), Jong Nyelong Dance, and Nguwai Dance
• Gantar Dance
• Giring-giring Dance
• Ngerangkau Dance
• Belian Dance
• Enggang Bird Dance
• Perang Bersama Dance
• Uding Dance
• Pergaulan Dance
• Lemau Dance
• Kacet Tengen (Tunggal Dance)
• Kancet Lesung Untat (Menumbuk Beras)
• Bekukui Dance
• Bekukui Dance
• Kancet Tua (Bersama Dance)
Customary Ritual
Naik Ayun/Tasmiyah Ritual
Naik ayun is part of Kutai customary ritual. It is a ritual of giving name to a new born baby. After giving the name, it is followed by the cutting of the baby's hair and "Tepung Tawar" ceremony. Then the baby is put in a swing. This ritual is influenced by Islam, so that there is a "Berjanji", the praise to Mohammad, the greatest prophet.
Erau
"Erau" is from the word "eroh" means: busy, rush, crowd, a very happy situation. This word becomes a term of ritual new king or sultan commission. It was done by the palace family and invite some people who have worked for the palace. Erau is held for 8 days long continuously and perform many kinds of art attractions. Long time ago, there was giving-a new-name ceremony from the king to the family or some person who have rendered the Sultan. At present, Erau traditional ritual is preserved as a cultural inheritance. Regional Government of Kutai made Erau a permanent activity named "Festival Kesenian Rakyat" or "People's Party", the celebration of Tenggarong City. Erau becomes an annual tourism event on 23-28th September. It is held by the Regional Tourism Department of East Kalimantan.
Bob Jengau
This is a customary ritual of Dayak Modang Tribe at Muara Ancalong and Muara Wahau in Kutai Regency and some other places. It is related to some other customary rituals. Those are Uding, Dang Tung, Ne Legun, Ne Loi, Ne Blok, Nam Bleu and completed with art and traditional sports program. The dances are Jong Nyelong dance, Ngeway and Ding Wuk.
Hudoq Party
This is a customary ritual of Dayak Bahau Tribe at Long Iram. Long Bagun Districts and some others places in Kutai Regency. It is held for some days, with traditional dances and sports.
Pelas Tahun
Customary ritual from Melayu Kutai Tribe at Muara Bengkal Subdistrict and Kutai Regency. This is a thanksgiving customary ritual to God. It is held for three days and nights continuously, with Jepen Tingkilan Dance and traditional sports.
Naik ayun is part of Kutai customary ritual. It is a ritual of giving name to a new born baby. After giving the name, it is followed by the cutting of the baby's hair and "Tepung Tawar" ceremony. Then the baby is put in a swing. This ritual is influenced by Islam, so that there is a "Berjanji", the praise to Mohammad, the greatest prophet.
Erau
"Erau" is from the word "eroh" means: busy, rush, crowd, a very happy situation. This word becomes a term of ritual new king or sultan commission. It was done by the palace family and invite some people who have worked for the palace. Erau is held for 8 days long continuously and perform many kinds of art attractions. Long time ago, there was giving-a new-name ceremony from the king to the family or some person who have rendered the Sultan. At present, Erau traditional ritual is preserved as a cultural inheritance. Regional Government of Kutai made Erau a permanent activity named "Festival Kesenian Rakyat" or "People's Party", the celebration of Tenggarong City. Erau becomes an annual tourism event on 23-28th September. It is held by the Regional Tourism Department of East Kalimantan.
Bob Jengau
This is a customary ritual of Dayak Modang Tribe at Muara Ancalong and Muara Wahau in Kutai Regency and some other places. It is related to some other customary rituals. Those are Uding, Dang Tung, Ne Legun, Ne Loi, Ne Blok, Nam Bleu and completed with art and traditional sports program. The dances are Jong Nyelong dance, Ngeway and Ding Wuk.
Hudoq Party
This is a customary ritual of Dayak Bahau Tribe at Long Iram. Long Bagun Districts and some others places in Kutai Regency. It is held for some days, with traditional dances and sports.
Pelas Tahun
Customary ritual from Melayu Kutai Tribe at Muara Bengkal Subdistrict and Kutai Regency. This is a thanksgiving customary ritual to God. It is held for three days and nights continuously, with Jepen Tingkilan Dance and traditional sports.
Traditional Ceremonies
Tepung Tawar
Tepung Tawar is a ceremony held to welcome visitors to the region or local villages. This ceremony is held in order to protect the visitors from bad spirit and disease as long as they are in the area. This ceremony is marked by smearing the faces of the guests on the floor and followed by traditional music and dance which is called "BURAI-BURAI".
Kelebur Bejamug
This ia a farewell ceremony to the visitors or guests who going to leave the place visited. This ceremony is held by some women of the local village.
Penhos
A Dayak Modang Tribe punishment ceremony, which takes the offender who is tied to several bamboo stems carried up to the river and submerged in the water by local people many times. This action is thought to cleanse not only the offender, but also the whole village from his sinful behaviour. A traditional village feast is also held to celebrate the occasion.
Belian
This is a ceremony of healing disease. The Dayak Benuaq Tribe believe that desease appears because there is imbalance between spiritual world and material world and it can be stabilized by holding Belian ceremony.
On this ceremony the entertainer wear specific uniform and is followed by traditional music while delivering ritual praying to recover the sick people. Belian traditional ceremony can be held for seven days and nights.
Kwangkai
Kwangkai means "fruit of corpse". This is a ceremony of moving a dead body (bones) of an ancestor after the body has been buried for four or five years. Then the bones are carried to a "Lamin" (long house) to be given a ceremonial service by the local people.
Generally the ceremony is held by Dayak Benuaq and Dayak Tunjung tribes for 21 days and 21 nights. The ceremony is also completed by "SETINGGIH" which invites the spirits of their forefathers.
This ritual also included other kinds of ritual such as "SETANGGIH / WARA" (the praise to old people's soul), "Ngerangkau" (dancing together with stepping "alu", a tool for pounding rice) is performed by some girls to deliver souls to the final place. Besides that, they also held customary ritual such as "pekanan saru", "sengkeliat", "senciwo", "sengkaramu", "lalaupang", "sengkaljung" and ended with "belontang".
Tepung Tawar is a ceremony held to welcome visitors to the region or local villages. This ceremony is held in order to protect the visitors from bad spirit and disease as long as they are in the area. This ceremony is marked by smearing the faces of the guests on the floor and followed by traditional music and dance which is called "BURAI-BURAI".
Kelebur Bejamug
This ia a farewell ceremony to the visitors or guests who going to leave the place visited. This ceremony is held by some women of the local village.
Penhos
A Dayak Modang Tribe punishment ceremony, which takes the offender who is tied to several bamboo stems carried up to the river and submerged in the water by local people many times. This action is thought to cleanse not only the offender, but also the whole village from his sinful behaviour. A traditional village feast is also held to celebrate the occasion.
Belian
This is a ceremony of healing disease. The Dayak Benuaq Tribe believe that desease appears because there is imbalance between spiritual world and material world and it can be stabilized by holding Belian ceremony.
On this ceremony the entertainer wear specific uniform and is followed by traditional music while delivering ritual praying to recover the sick people. Belian traditional ceremony can be held for seven days and nights.
Kwangkai
Kwangkai means "fruit of corpse". This is a ceremony of moving a dead body (bones) of an ancestor after the body has been buried for four or five years. Then the bones are carried to a "Lamin" (long house) to be given a ceremonial service by the local people.
Generally the ceremony is held by Dayak Benuaq and Dayak Tunjung tribes for 21 days and 21 nights. The ceremony is also completed by "SETINGGIH" which invites the spirits of their forefathers.
This ritual also included other kinds of ritual such as "SETANGGIH / WARA" (the praise to old people's soul), "Ngerangkau" (dancing together with stepping "alu", a tool for pounding rice) is performed by some girls to deliver souls to the final place. Besides that, they also held customary ritual such as "pekanan saru", "sengkeliat", "senciwo", "sengkaramu", "lalaupang", "sengkaljung" and ended with "belontang".
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